Liam Kornoely
Hyper Train(2023)
d: 7:00
“Hyper Train” is an exhilarating and dynamic solo piece for mellophone, showcasing the virtuosity of the performer and the unconventional instrument. This composition takes the listener on a thrilling musical journey, evoking the sensation of a high-speed train hurtling through an ever-changing landscape of sound.
Perfromed by: Kate Warren
Methane Rain(2023)
d: 4:00
"Methane Rain" transports listeners to the enigmatic and otherworldly landscape of Titan, Saturn's largest moon. This piece is an imaginative sonic exploration of the atmospheric phenomenon unique to Titan – methane rain. As the music unfolds, it captures the ethereal beauty and mysterious allure of the celestial rains that cascade from Titan's hazy skies.
Dreaming of Pirates and Cowboys(2024)
d: 7:30
Dreaming of Pirates and Cowboys takes a deeper dive into the mysterious world of the dreamscape. The slow and highly reverbed sections show your mind aimlessly floating through sleep. Then the pirate theme comes in. As if transported to another world the first section transports us to the deck of a pirate ship sailing the mighty seas. The syncopated rhythms and changing meter so the change and roughness and toughness of the mighty sailors. The swing rhythms showcase the old English styles of the times. The electronics remind us that we’re in a dream sailing a fictional ship. In the second section we are transported to the wild wild west. Riding far and free in an unknown land of nature and danger. The strong rhythmic patterns reminiscent of old spaghetti western films. Finally the piece comes to a close back into the strange dreamscape the mind finds comfort in. Back to a deep deep sleep.
Winters First Snow(2022)
d: 6:00
"Winter's First Snow" is an evocative electronic composition that captures the serene and enchanting atmosphere of the first snowfall in a deep forest. This piece transports listeners to a magical realm where the delicate dance of snowflakes transforms the woodland into a pristine, otherworldly landscape.
A Day in the Life
d: 15:00"A Day in the Life" captures the rhythm and essence of a single day, unfolding like a timeless cycle. It begins gently, with the quiet stirrings of a new morning, gradually building into the vibrant energy of a bustling, busy day. As the hours pass, the pace slows once more, giving way to calm and reflection as the sun sets, marking the close of yet another day in this ever-turning journey.
Coruscating Sky (2023)
d: 9:00
Few things in this world are more beautiful than the coruscate colors of the setting sun. Listen as the sun slowly sets over the horizon and night time falls upon the earth.
This piece was originally written to be played around the audience in a 360° area at the CCM View from the Edge concert. Unfortunately, due to recording equipment limitations this piece was only recorded in mono.
Performance by: Mason Kibble (Trumpet 1), Annaleigh Babcock (Trumpet 2), Corbin Russ (French horn\Mellophone), Madison Smith (Euphonium), Beatrice Aldrich (Tuba)
Snoozle (2022)
d: 13:00
"Snoozle" is a captivating harp solo that delves into the realm of sleep, exploring different facets of the restful state through four distinct movements: "Reverie," "Zizz," "Torpid," and "Glaze." Each movement unfolds with its own unique character, inviting the listener to experience the various nuances of sleep through the delicate and expressive language of the harp.
Performed by Rhapsody Bubsy
Illusions (2024)
d: 9:00
Illusions is a piece that I took inspiration from Connie Csoros’s work by the same name. A poem written about a lost love that may or may not have actually existed. The piece starts off happy and hopeful, recalling how she feels like the stars have fallen right in place, meeting the right person at the right time. Both seeming to fall in love with each other. Then suddenly a turn, perhaps her love has met someone else. The feeling of guilt and regret floods the mind. Maybe she looked too much into it, or maybe read things wrong. Things seem hopeless but then it picks up again, with more confidence and grandeur. She sees things as they really are, so she thinks. Finally She comes to terms with reality. There are others involved and perhaps they are not star crossed lovers like she thought. Perhaps it was all just an Illusion.
Performed by Sydney Horan and Mutien Lai
Iridescent River(2020)
d: 9:00
"Iridescent River" for string quartet is a three-movement composition that immerses listeners in the varied energies and moods of a vibrant watercourse. Through the expressive capabilities of the string quartet, each movement encapsulates a distinct facet of the river's character, offering a nuanced musical exploration of the lively rapids, tranquil stream, and majestic falls.
Movement I: Rapids
The opening movement, "Rapids," sweeps listeners into the tumultuous heart of the river as interpreted by a string quartet. This lively movement captures the untamed energy of rushing waters through dynamic bowing, intricate pizzicato passages, and vigorous interplay between the instruments. The strings emulate the spirited turbulence of rapids, portraying the vivid and unpredictable journey of the iridescent river as it navigates through rocky landscapes.
Movement II: Stream
Transitioning to a more tranquil atmosphere, the second movement, "Stream," flows gently with the grace of a string quartet. Delicate melodies and legato phrasing mirror the serene beauty of a calm river stream. The quartet's strings intertwine seamlessly, creating a sense of tranquility and reflection. "Stream" invites listeners to peacefully drift along the iridescent river's more placid stretches, where the current whispers tales of serenity and the beauty of nature's quietude.
Movement III: Falls
The final movement, "Falls," marks the grand culmination of the iridescent river's journey, as portrayed by the expressive voices of a string quartet. Majestic and powerful, this movement emulates the breathtaking descent of a waterfall through dramatic bowing, intense tremolos, and resonant harmonics. The quartet builds a crescendo, capturing the anticipation before plunging into a tumultuous cascade of sound. The strings vividly portray the sheer force and awe-inspiring beauty of the falls. As the river concludes its tumultuous descent, the quartet resolves with a sense of grandeur, leaving listeners in awe of the iridescent river's majestic journey from rapids to stream and, finally, to the breathtaking falls.
Performance by: Mable Lecrone (Violin), Aadhi Ramkumar (Violin), Celest Meisel (Viola), Jessica Barrick (Cello)
Walking With Giants (2020)
Performance by: Jessica Barrick (Trumpet 1), Annaleigh Babcock (Trumpet 2), Joe Muhl (French Horn), Vincent Moniaci (Trombone), Brandon Benson (Tuba)
d: 3:00
A long time ago in a land far away, ancient giants roamed the earth. These gentle giants built the mountains and valleys we see today. Walk with these grand creatures as they wander the lands and build the world around us
Between Thin Lines (2025)
d: 7:00
Inspired by Julie Oppermanns work TH1223, Between Thin Lines represents the physical act of observing the acrylic work. When you first see it from afar you might notice the primary colors of green, blue, purple and white. As you get closer you begin to notice finer details of color as each primary color overlaps each other and mixes. Finally you notice the black lines that have been almost invisible, yet right in front of you. You will hear the texture grow with the vibraphones and hints of the black lines with the clarinet until it comes in in full force as you finally notice the black lines. Then just as quickly as it has come it goes away again or you to observe another part of the work.
Performance by: Ethan De Souza, Elizabeth Lopes, and Victoria Williams
Space Cadet (2022)
d: 6:40
"Space Cadet" is a captivating musical odyssey that invites listeners to embark on an interstellar journey aboard a spaceship exploring the vastness of outer space. This piece is a sonic exploration of the wonders, mysteries, and infinite possibilities that unfold as the spacecraft ventures into the cosmic expanse.